Episode 2

This book, although it can be read as a separate story, is the third of the trilogy of which _Marie_ and _Child of Storm_ are the first two parts. It narrates, through the mouth of Allan Quatermain, the consummation of the vengeance of the wizard Zikali, alias The Opener of Roads, or "The-Thing-that-should-never-have-been-born," upon the royal Zulu House of which Senzangacona was the founder and Cetewayo, our enemy in the war of 1879, the last representative who ruled as a king. Although, of course, much is added for the purposes of romance, the main facts of history have been adhered to with some faithfulness.

With these the author became acquainted a full generation ago, Fortune having given him a part in the events that preceded the Zulu War. Indeed he believes that with the exception of Colonel Phillips, who, as a lieutenant, commanded the famous escort of twenty-five policemen, he is now the last survivor of the party who, under the leadership of Sir Theophilus Shepstone, or Sompesu as the natives called him from the Zambesi to the Cape, were concerned in the annexation of the Transvaal in 1877. Recently also he has been called upon as a public servant to revisit South Africa and took the opportunity to travel through Zululand, in order to refresh his knowledge of its people, their customs, their mysteries, and better to prepare himself for the writing of this book. Here he stood by the fatal Mount of Isandhlawana which, with some details of the battle, is described in these pages, among the graves of many whom once he knew, Colonels Durnford, Pulleine and others. Also he saw Ulundi's plain where the traces of war still lie thick, and talked with an old Zulu who fought in the attacking Impi until it crumbled away before the fire of the Martinis and shells from the heavy guns. The battle of the Wall of Sheet Iron, he called it, perhaps because of the flashing fence of bayonets.

Lastly, in a mealie patch, he found the spot on which the corn grows thin, where King Cetewayo breathed his last, poisoned without a doubt, as he has known for many years. It is to be seen at the Kraal, ominously named Jazi or, translated into English, "Finished." The tragedy happened long ago, but even now the quiet-faced Zulu who told the tale, looking about him as he spoke, would not tell it all. "Yes, as a young man, I was there at the time, but I do not remember, I do not know--the Inkoosi Lundanda (i.e. this Chronicler, so named in past years by the Zulus) stands on the very place where the king died--His bed was on the left of the door-hole of the hut," and so forth, but no certain word as to the exact reason of this sudden and violent death or by whom it was caused. The name of that destroyer of a king is for ever hid.

In this story the actual and immediate cause of the declaration of war against the British Power is represented as the appearance of the white goddess, or spirit of the Zulus, who is, or was, called Nomkubulwana or Inkosazana-y-Zulu, i.e. the Princess of Heaven. The exact circumstances which led to this decision are not now ascertainable, though it is known that there was much difference of opinion among the Zulu Indunas or great captains, and like the writer, many believe that King Cetewayo was personally averse to war against his old allies, the English.

The author's friend, Mr. J. Y. Gibson, at present the representative of the Union in Zululand, writes in his admirable history: "There was a good deal of discussion amongst the assembled Zulu notables at Ulundi, but of how counsel was swayed it is not possible now to obtain a reliable account."

The late Mr. F. B. Fynney, F.R.G.S., who also was his friend in days bygone, and, with the exception of Sir Theophilus Shepstone, who perhaps knew the Zulus and their language better than any other official of his day, speaking of this fabled goddess wrote:

"I remember that just before the Zulu War Nomkubulwana appeared revealing something or other which had a great effect throughout the land."

The use made of this strange traditional Guardian Angel in the following tale is not therefore an unsupported flight of fancy, and the same may be said of many other incidents, such as the account of the reading of the proclamation annexing the Transvaal at Pretoria in 1877, which have been introduced to serve the purposes of the romance.

Mameena, who haunts its pages, in a literal as well as figurative sense, is the heroine of _Child of Storm,_ a book to which she gave her own poetic title.